Aquila
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Aquila 58NNG - New Nylgut® synthetic string 0.58mm
.0023
Single New Nylgut® string length 120cm this material can roughly be considered the first ‘synthetic’ version of gut. They are distinguished by their coloring, which is similar to that of this material, and also possess the same specific weight, meaning that (theoretically at least) t...
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Aquila 5CH Timple Canario
Aquila satz für TIMPLE CANARIO SOPRANO : D (cantino), A, E, C, G. Im Vergleich zu Nylon erzeugt das New Nylgut® einen besseren Klang und hält es besser ton und stimmung, da die Feuchtigkeitsaufnahme weniger als 0,1% im Vergleich zu den normalerweise für die Saiten verwendeten 2,0% N...
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Aquila 8721C Custom New Nylgut set for 7-String Renaissance Guitar
.042 . 052 . 052 . 066 . 066 . 088 . 046
Special Set Strings for Renaissance Guitar in g' (a'=440Hz)585 mm scale GDDA#A#Ff Tuning 1 g' 42 NNG 2 d' 52 NNG 2 d' 52 NNG 3 a# 66 NNG 3 a# 66 NNG 4 f 88 NNG 4 oct f' 46 NNG
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Aquila 16CH Cuatro Venezuelano Red series
Aquila venezuelan CUATRO string set B, F#, D, A. These give a unique feeling and a strong, consistent sound. Until recently, it was necessary to increase a string’s gauge to get a lower-pitched note. But increasing the string’s diameter also increases internal dampening. That makes t...
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Aquila 190D120 Type D woundNylgut® multifilament core string
.0000 .0039
Single wound Nylgut® multifilament string length 120 cm Aquila's wound strings type D are manufactured using a Nylgut® multifilament core with a copper wire winding. To keep calculations simple and make it possible to use any available string-calculator, strings are referred to by lett...
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Aquila 77C Single 2nd string - Gut & Silk 800 single B gut string
single Gut 2nd string as used in Guitar setup between 1790 and 1870 Up to the middle of the 20th century, the only available strings for guitar were plain gut for Trebles and wound on silk core for Basses. Their acoustical performance was quite different from that of modern synthetic str...
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Aquila 137C Zaffiro set superior tension
Gitarrenset in einem Spannungsgrad erhältlich. Die ersten drei Diskantsaiten bestehen aus Nylonplant (einer ganz besonderen Nylon-Variante, die zu 100% aus Pflanzen besteht), die direkt in unserer Firma extrudiert wird. Dies bedeutet eine Reduzierung von mehr als 50% der Kohlendioxidemiss...
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Aquila 145D120 Type D woundNylgut® multifilament core string
.0000 .0031
Single wound Nylgut® multifilament string length 120 cm Aquila's wound strings type D are manufactured using a Nylgut® multifilament core with a copper wire winding. To keep calculations simple and make it possible to use any available string-calculator, strings are referred to by lett...
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Aquila 169C ALABASTRO superior High tension Treble set ( *trebles only)
169C ALABASTRO Normal tension satz für klassischen guitar. Bis zur Mitte des 20. Jahrhunderts wurden alle Diskantsaiten aus dem Darm gefertigt, ein Material, das schon seit Jahrtausenden verwendet wird und eine gute Ansprache und hervorragende Leistung verbindet. Das Ziel der Forschung ...
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Aquila 183U B-blacks BioNylon Tenor Low G, Key of C
B-Blacks strings combine swift responsiveness with rich, expressive tone. Crafted from renewable biomass sources, these strings deliver eco-friendly performance without compromise. Their fine gauges and optimized tensions provide excellent playability and comfort for musicians of all level...
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Aquila 189C SUGAR ½ SCALE GUITAR + Cordoba Mini I SET E tuning
Sugar E tuning set NORMAL tension – vibrating lengths 51 – 54 cm (20 – 21 ¼ in) Suitable for Cordoba Mini I With a transparent look, the Sugar Guitar Trebles are made using a bio-plastic derived from sugar-cane, that was recently discovered in Italy. Bass strings are made with ...
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Aquila 1U Genuine gut Soprano REGULAR TUNING, Key of C
Key of C Since the Ukulele appeared (approx. in 1874), gut strings was the only choice available. The gut strings initially used were those of the Violin (first and second string) and then in the ’30s, appeared the specific set for Ukulele. By the production of modern synthetic materials...










